Opening Songs
OP 1 - Dear Answer (TRUE)

Ending Songs
ED 1 - Uchiyoserareta Bōkyaku no Zankyō ni (TECHNOBOYS PULCRAFT GREEN-FUND)

Genre: Drama, Mystery, Thriller

Episodes: 12



The time comes every now and then where you'll have one of those strange animes that break away from the traditional  archetypes. "Beautiful Bones: Sakurako's Investigation" is one of those shows, and I say this because it's very much different from plenty of shows. Still, on the larger scale of things, "Sakurako" isn't that complicated or over-sized of a show that it can really blow you out of the water. To me, it's always one of those shows that were kind of...just there for the sake of being there. It's a mystery themed anime, and for what it does, there are far too few reasons for non-otaku fans to actually find themselves invested in this show when there are plenty of other better, more popular shows. "Sakurako" isn't a fantastic show, instead, its one that simply threads itself as what it is, a simple mystery anime that tries to delve into some dark themes, without anything too epic or drastic. For that, it may not appeal to everyone, and simply tries its best to captivate that small audience that its aiming for.


At least we have a hot cover girl.

And here we have some rather uninteresting theme songs representing the show. The opening theme is "Dear Answer" by TRUE. Its a simple uplifting opening theme song, which strikes me as a little strange for a show like "Sakurako". Still, its not my type of song and it doesn't quite interest me, similar to the ending theme, "Uchiyoserareta Bōkyaku no Zankyō ni" by TECHNOBOYS PULCRAFT GREEN-FUND. This one is SLIGHTLY better because of its upbeat tempo, but not by much.



Rating: 7.0/10



Its really quite hard for me to thoroughly make that recommendation for "Beautiful Bones: Sakurako's Investigation", because its simply just not something that anyone can enjoy. The main selling point of the show, heroine and mentor character to the protagonist runs mostly on one gimmick, flaunting her intellect as she cracks mysteries of various scales throughout the show. It honestly gets old after awhile, and while some arcs are clearly more interesting than others, there never really comes a point in the show where the plot completely ABSORBS and pulls me in....it just stays constant throughout. And honestly for "Sakurako", constant is pretty okay. I can't find many faults in the show other than it not being explosive and insanely impressive at times, its just that kind of show that keeps doing what it does until the end. If you're not into simple thriller and mystery, then you won't be entertained.


Well said.

Shotaro Tatewaki is yet again, another random, high school boy with a generic as f**k personality that seems to get lucky at the right place and the right time. One day in his pathetically boring life, he stumbles onto the household property of Kujo Sakurako, an intelligent woman in her mid-20s who has a fetish for collecting bones. She comes from a rich family and owns a run-down, old mansion where she uses as her personal study. She goes on adventures with Shotaro from time to time, and they always manage to find bones of some sort. Using these bones alone, she is able to use her expertise to trace the bones to their time of death, even going as far as the depict the type of person or thing that the bones belonged to. Shotaro seems to enjoy his time with the beautiful young lady, and they actually do get into some silly situations.


"Beautiful Bones: Sakurako's Investigation" is pretty alright. For the people who enjoy these types of semi-light hearted mystery shows, this one might suit your tastes, but I'd prefer something sillier and simpler like "Hyouka". There's a right audience for "Sakurako" and before you dive into it, make sure you're in that category. There is room and possibility for a sequel here (especially after the ending), if it does get one, I'd like to explore how far this show can go with its unique concept.

Thursday, 24 November 2016

Azure Striker Gunvolt

Gamespot Score: 8.0 (Great)

My Score: 8.3


(+) Pros: - Megaman-esque game play is superb, - Enjoyable, yet simple story, - Solid platforming and shooting mechanics, unique twist on using Electricity to beat enemies is super fun, -That f**king OST, - Fun weapons and skills that don't make you feel TOO overpowered, - Wide variety of missions that encourage replay-value, - Crafting equipment makes and giving Gunvolt upgrades feel extremely rewarding, - Insanely fun boss battles.

(-) Cons: - Too short if you're just going to clear the base game alone, - Requires some hardcore score-attack mindset to get score REALLY good in all of the stages. 


Game play time: 10 hours+ (Including missions and optional content)





One of the biggest mistakes I've ever made, was to neglect this game for such a LONG time. As a long time "Megaman" fan, I kind of lost hope in Capcom and how hard they've neglected the "Megaman" IP. I lost so much hope that I simply gave up on waiting for a new game and let the franchise itself decay away in my memories, almost thinking that it'd never return outside of crossover games like "Project X Zone".  Then a gem came along in 2014, a gem that I would never try until this year, when it popped up on a steam sale for the PC. I jumped into "Gunvolt", and it was like a flame was re-kindled in my heart. After not touching a TRUE "Megaman" game for about 7-8 years (last one was "Megaman ZX Advent" for NDS), "Gunvolt" legitimately opened my eyes. From Inti Creates comes a message and love letter to "Megaman" fans. The franchise is not dead with "Mighty No. 9", in fact, forget that game ever happened. "Azure Striker Gunvolt" is your true savior, and if you've craved for a "Megaman" like I did, this one will more than suffice.



Lot's of weird terms here, but don't let it get you down.

Gunvolt's story is honestly a good point. It's a very simple and easy to follow story that manages to get me interested with its charming characters. The story speaks of a futuristic world that suffers a great divide. Between normal humans and special humans known as "adepts", there can never be equality. Adepts have special abilities and can use their "Septimal Power", which simply serve as regular special abilities like espers in "To Aru Majutsu No Index" or mutants in "X-men". There exists a certain evil, corrupt, government organization known as Sumeragi which attempts to use a certain young girl's voice, which happens to be her Septimal power, to rule the world. Then there's "Black Quill", a terrorist organization who exists to put Sumragi down. Part of "Black Quill" is an adept young boy known as Gunvolt, or GV for short. GV goes on a mission to rescue this special adept girl, known as Joule, who had been used as a tool for her entire life. After that, he leaves Black Quill to get Joule out of potential danger and politic squabbles, and lives alone with Joule, accepting vigilante missions for income to support her.


Being somewhat of a spiritual successor to "Megaman", you can expect many similar aspects in Gunvolt's game. For one, its an action based platformer which has you take control of the game's protagonist, Gunvolt, to go through select stages in the game. Gunvolt can jump, dash, wall climb and shoot, just like old Megaman can, so fans will immediately feel familiar. However, he can become more mobile, getting multiple jumps and air dashes as the game progresses, making him feel a lot more fluid and fun to use. Instead of regular charging buster shots, Gunvolt's shooting mechanics comes from his Septimal Power, which is also the core of the main game play. Gunvolt can shoot enemies, sure, but doing so regular does low damage, pitifully so. He can't charge shot (at least, not at the start of the game) to deal more damage, but instead, enemies that he has shot can be interacted with his Septimal Power.


Even the opening boss feels like something out of
a Megaman X game...

That's right, as the "Azure Striker", Gunvolt is a master of electricity. He can zap his enemies by creating a semi-lightning dome over his body. This thing has minimal range, so alone, it's not of much use. HOWEVER...by shooting his enemies, he tags them. Enemies tagged by a single one of Gunvolt's bullets can be hit by his electricity, even if they are out of the dome's range. So come the game's main way to deal damage, tag enemies with bullets, then electrocute the SHIT out of them from afar. Multiple bullets tag multiple times, increasing his electricity damage. Since the game is also a score attack game, this is actually the only reliable way to gain points, and as you gain points by rapidly damaging and destroying enemies, the OST even ramps up. Let's be real here, the OST in "Gunvolt" is f**king dope, from old school "Megaman" style themes to cringe-worthy and addictive J-Pop songs that play mid-stage, its a pleasure to my ears the ENTIRE way.


Of course, since the main gameplay mechanic is to shoot enemies to tag them and THEN electrocute them to death, you'd think that the game gets old really fast. Not really, different enemies have you switching strategies, and its not like you don't have to dodge and manage your energy. As long as Gunvolt keeps on zapping, his energy depletes, and once it reaches 0, boop, he needs to recharge for a long time and can't zap while recharging. Ironically, the game also shields Gunvolt from damage, taking damage to his energy bar instead of his health when he is hit, as long as he has energy to spare, of course. This means that your energy runs out quick and leaves you wide open if you just spam it without thought. To keep the game fresh, there are a bunch of weapons and abilities that you can unlock through the course of the game to alternate Gunvolt's attack patterns.



Ah, screw the water stage.


While the default weapon has Gunvolt fire rapidly and can tag enemies multiple times, other weapons change that. Some remove his rapid fire capability, but allow him to shoot in multiple directions. Some let him shoot a piercing shot, going through and tagging all enemies in a straight line. It's pretty fun, and finding a weapon that suits your play style is always really satisfying. There are also abilities, which Gunvolt can use sparingly. There are a couple of different ability types, but its basically split into damaging skills that can be used mid-battle or healing skills. These are honestly, pretty OP for a standard playthrough (though they are essential if you want to get S+ on all the levels...), but you can only use these SPARINGLY, as Gunvolt's skill slots run out fast. Using all of these at your disposal while clearing different types of VARIED stage designs is pretty damn great.


While the main game's stage selection is rather limited, there are plenty of missions that reward you with materials and money for crafting. Missions prompt you to re-do some of the previous stages, clearing them with better ranks, or fulfilling certain set objectives (like that one mission on the Bio-Chemical Plant to destroy hundreds of crates). These don't feel to repetitive, and can justify padding the game a little bit to get the better equipment for Gunvolt. Speaking of equipment, Gunvolt can equip multiple accessories into battle, most of which are crafted during the stage selection. These severely change and improve Gunvolt's play-style, giving him increased defense, speed, multiple jumps or air dashes. Finding the right combination of stuff is crucial to improving your play, especially if you're trying to get high ranks for the stages.



Bosses are a real thrill.

Now we come to the boss battles. True to "Megaman" fashion, these are INCREDIBLY fun (either that or its just been awhile since I've played a TRUE "Megaman" game). Multiple phases, no weaknesses to any weapons (you have to beat them with your skill alone), super attacks when they are near dead, and constantly provoking you throughout the fight. These feel fun as all f**k, and its a pity that there are only 6 select-able bosses unlike the usual 8 in "Megaman" games. There's even a rival battle and the final boss (and I do mean the TRUE final boss) is cheap as f**k, something you'd expect to see in a "Megaman"-esque game. 


"Azure Striker" Gunvolt is extremely fun and all but it does have it's flaws. Mostly, its just the fact that the game isn't built for casuals. I mean, you can jump into it knowing nothing about "Megaman" and still have a blast, but you'd clear the game too quickly and be done with it without doing all of the challenges and optional content. If you decide to just breeze through the game its only about 4-5 hours, tops. All of the challenges and completionist achievements as well, those are well beyond casual standards. Getting S/S+ rankings on levels is extremely hard, needing you to to properly kill enemies in order to get the most points, AND you cannot get hit even ONCE, or your score multiplier goes down, basically nulling your entire run on that stage. Oh yeah, clocking in checkpoints ALSO f**k you up, so if you get hit, you restart the ENTIRE STAGE. The game is brilliant and full of fun, but if you aren't a full try-hard, you won't get the most out of it. 


I can only hope that the sequel is just as good, or even better.






Happy gaming!


Thursday, 17 November 2016

Great Game OSTs (Part 10)





Song: MUST DIE (Susanoo's Theme)
From: Blazblue: Central Fiction
Artist: Daisuke Ishiwatari


Well, Ishiwatari is at it again. "Blazblue: Central Fiction" is f**king amazing and so is the theme for our ultimate big baddy, Susanoo. The perfect unison of the weird chants, screaming and ancient japanese music synchronizes so well with the metal and rock. Its a mighty fine theme for a crazy, brutal, savage combatant like Susanoo, who completely gives in to his wild side. This theme just makes you want to go crazy and murder your opponent in cold blood.






Song: Yomotsuhirasaka (Hades Izanami's Theme)
From: Blazblue: Central Fiction
Artist: Daisuke Ishiwatari


The good themes just can't get away from the villains. One of the main antagonists in "Central Fiction", Hades Izanami, also gets one of the best themes in the game. "Yomotsuhirasaka" is pure, metal, rage and rock. From the moment the theme starts playing, you know that its going to be crazy as hell. For someone as powerful as she is, the chanting in the background as this theme starts ramping up just gives me the goosebumps, and when the guitar and drums just unleash their full fury, you can't help but feel the heat.





Song: Sky Must Be High (Arcade Boss Theme)
From: Guilty Gear Xrd: Revelator
Artist: Daisuke Ishiwatari


To be completely sure, this is most certainly NOT Ramlethal's theme, it's the boss theme of the arcade mode in "Revelator", just like what "Fatal Judge" is to "Chrono Phantasma" (I just used this picture because of how badass it looks). There's a vocal version that kicks just as much ass, but for today, we're going with the instrumental version that plays in the arcade mode. Its incredibly high tension just makes you want to go all out against your foe, which is what you should always want to feel in a fighting game, especially on the final stage. I found myself head banging at the intro ALL the time.







Song: Laser Beam

From: Persona Q -Shadow Of The Labyrinth-
Artist: Shoji Meguro, Lotus Juice


Without a doubt, the best song in the game. "Persona Q" has an incredibly kickass soundtrack by the gods behind the original "Persona 3 & 4" games, which only reinforces the fact that its OST is amazing. The main boss theme for a majority of the bosses, "Laser Beam" is everything that you'd want from a "Persona" song. High tension, solid rapping, and a hype as f**k atmosphere. I'd just purposely drag out my turns just to let the song play out more.






Song: 13th Reflection
From: Kingdom Hearts 2: Final Mix/Kingdom Hearts 2.5 HD Remix
Artist: Yoko Shimamura


It still pisses me the f**k off that we, the English audience, don't get to hear this magnificent piece until nearly 10 years later because Square refused to localize Final Mix for PS2. Oh well, we finally do get the data battles in 2.5 HD remix, but the remastered OST doesn't sound AS fantastic as the original IMO. Still, this is a song that'll get you pumped to fight the Castle Oblivion organization members. It beats 13th Dilemma and 13th Struggle by a far mile, its elegant, graceful, and even calculatingly tenacious, much like the members of the organization that you fight with this theme playing.







Song: Class Trial -Future Edition-
From: Super Danganronpa 2: Goodbye Despair
Artist: Masafumi Takada


I'm still convinced that Takada is a freaking god at composing video game music, because the "Danganronpa" series has some one of the best game soundtracks that I have ever heard. One of the new additions to "Super Danganronpa 2" that I never seemed to grow tired of is "Class Trial -Future Edition-". As with most of the class trial themes, this one usually plays after a non-stop debate or during an intense segment of the trial, which leads to epic head banging while characters dish out their arguements. Probably not as intoxicating as the non-stop debate themes, but outside of those, this one seems to be my favorite.



Opening Songs
OP 1 - Over The Testament (Metamorphose)

Ending Songs
ED 1 - Temperature (Dual Flare)

Genre: Action, Romance, Supernatural

Episodes: 10



Here we are again with more "Testament". It was pretty much confirmed at the end of the first season that we were getting a sequel, so here we go. I was actually KIND of looking forward to this one, since I needed a little bit of ecchi demon slaying action while "High School DxD" is taking a break to prepare for its 4th season (which I cannot wait for). What's more, the first season of "Shinmai Maou no Testament" was actually pretty good for my tastes, which isn't saying much, but hey, at least it's not utter garbage. While it was quite obvious from the get go that the main aim of the show is the fan service (which they did a good job of, at least in the uncensored blu-ray releases), it still managed to provide a decent lore, world, and setting....some of the characters were likable as well. I had somewhat high hopes for second season, which wasn't THAT well met. That being said, if you did watch season 1, you should give season 2 a go anyway.



Well at this point, Basara might as well go all the f**king way.


The opening theme is "Over The Testament" by Metamorphose, which consists of some veteran seiyuus and singers, like Aki Misatom, Megumi Ogata and even Yoko Ishida. Anyway, its good, its not as good as "Blade Of Hope" in my opinion, but its still good enough for an action oriented anime. The ending theme is "Temperature" by Dual Flare, which consists of a duo of rookie seiyuus with the same last name (I assume they are sisters). Its an attempt at a "cool yet cute" ending theme, and it kind of has that going for it, though to me its not the type of song that I'll listen to for a long time.



Rating: 7.0/10



I kind of enjoyed season 1 a little bit more when the cast was fooling around in their everyday school life, at least back then it had a reason to be a little bit more silly. With "Testament BURST", the story takes for a more serious tone as the team takes to the demon realm, where all sorts of political family business comes into play. When it tries to be too serious, "Testament" doesn't exactly do the job TOO well. They also introduced a F**K ton of new characters that didn't exactly do their job of investing us into this new setting. While the fan service is still rather solid, and the story does take itself further than it did in season 1, the rest of the show takes a minor dip. For a trip to the demon world, there isn't THAT much fighting, and what's there is kind of lazily done, especially that one tournament arc. I'd say that if you were like me and were sold on "Tesament" through the fan service, just watch the uncensored Blu-Ray release, because unless they go for a season 3, which is quite a far stretch, there's really not much of an improvement over the first season that's NOT fan service.



That's pretty much the gist of season 1.


Following the ending of season 1, Basara managed to save Mio from Zolga and the whole family manages to head back home safe and sound. Jin Tojo invades the demon king's castle all by himself to show dominance and to sort of "get revenge" for his kids, causing some sort of an uproar. With Mio having to return to the demon realm for some political warfare soon, everyone decides to tag along with her there for support. Takigawa returns to the demon king's side as his general Lars, and things get trickier once more girls start to push themselves into Basara's harem with the slave master pact. With Basara and Mio's opponent being the new Demon King, thing's aren't going to be so easy this time...


"Shinmai Maou No Testament BURST" concludes on a not-so-high note. Its a decent season that has a weaker showing than the 1st season in my opinion, but if you're here for the fan service then you won't be disappointed. Here's to maybe having some more "Testament" in the future, though I won't be THAT adamant about it.




Opening Songs
OP 1 - Identity (Mikio Sakai)


Ending Songs
ED 1 - Haramitsu Renge (Ali Project)

Genre: Action, Comedy, Drama, Fantasy, Romance

Episodes: 12



Instead of "Asterisk" getting a second season, this was actually my pick to get a continuation. during the era of combat school harems last year, where this showed alongside "Asterisk" and "Anti-Magic 35th Test Platoon", almost everyone agrees that "Rakudai Kishi" takes the cake for being the best out of the 3. And I cannot agree more, "Rakudai Kishi No Cavalry" is simply one of the best combat school harems I have seen, let alone being the best one last year. Its focus on its main characters and relationship building is great enough for people to get invested in them, and honestly even though it has a semi-harem setting with all the girls surrounding the main character, the fact that it has an obvious romance going on is a nice change (kind of like Bakemonogatari, where Koyomi chooses Senjougahara as his girlfriend extremely early on in the story). I really enjoyed "Rakudai Kishi" at the end of the day, and its easy to see that many others do as well.



Another one for the waifu pool. 


The opening song is "Identity" by Mikio Sakai. For an action anime opening, I'd say that it doesn't fit that well. Sure, the black and dark colors fit for a very pretty opening animation, but I feel like the song itself is a little dull. The ending theme is "Haramitsu Renge" by Ali Project, folks that I haven't heard from in quite awhile. Fortunately, they haven't lost their touch "Haramitsu Renge" is pretty good and it certainly triumphs the opening theme IMO.



Rating: 8.0/10




Before heading into "Rakudai Kishi" you need to understand one thing. While there are plenty of girls surrounding our main protagonist, I'm not sure if it counts as a "harem", because right off the bat, the main character and main heroine get together as a couple. I mean yeah, spoiler alert (not really), I would compare it to the "Monogatari" series in a way. Anyway, because of this, the main character and main heroine quickly get put into the spotlight, they grow quickly as characters and as a couple, which is great. Since the show is only 12 episodes, these 2 are pretty much the characters you'll grow attached to the most. The fight scenes are good, but they aren't really the main focus of the show here, especially towards the end when things start to get a little bit rushed. Still, all in all, the show has a little bit of everything, and each part works together hand in hand to make the show work. At least Ikki isn't a totally idiotic, hopeless MC.



The teacher of my dreams.


Kurogane Ikki is a young man borne into the prestigious Kurogane family, a family of proud and powerful warriors talented in the art of martial arts and magic. Sadly, Ikki is a flawed heir to the family as he is unable to use magic. Early in his life, his dad abandoned him to a life of failure and disdain, but Ikki never gave up in becoming a magic knight. He trained and trained, eventually he got into a school that trains said knights. He the only student ranked F, the lowest ranked student in the school, but being the worst has its perks. One day, foreign princess Stella Vermillion transfers to the school to take part in a tournament that will bring name to her family. She shares a room with Ikki, but will not accept him in her room. So the 2 have a duel because Stella can't stand the sight of Ikki, seeing as he's ranked F and she's one of the few A ranks, it can't be that bad, right? Well, its time for "The Worst" to show off how strong he is despite not being able to use ANY magic at all.


"Rakudai Kishi" is one of my favorites last year, its emphasis on its main characters really make it stand out among its oversaturated genre. There, I said it, there are too many high school "fighting" shows nowadays,  but a really good one every now and then really helps.